JAWS Scene in a Bottle
Who can forget the 1975 thriller film "Jaws", that made everyone just a little weary about going in the water. Though it lacked the special effects of movies today, the idea of a giant, man eating, great white shark lurking in the waters, awaiting its next potential victim makes me shudder within and convinced the minds of plenty, that the water is not always the safest place to be. Winning much critical accaim and awards, Speilburg's Jaws will certainly go down in history as one of the best films ever created.
Upon speical request, I get the task of recreating a combination of scenes from this very movie within a bottle. Please enjoy!
Upon speical request, I get the task of recreating a combination of scenes from this very movie within a bottle. Please enjoy!
Carving the Hull:
Like most of my models, the "Orca," which was a lobster boat, is carved from a block of bass wood the has already been cut into two halves before carving. Above, you can see the outline for the cockpit is sliced into the wood using an exacto knife, which allows me to easily scoop out the interior.
Developing the Cabin:
Trying to figure out just how to create the cabin so that it would pass through the neck of the bottle and come together, without too many problems, inside the bottle was a great puzzle!
I came up with a plan to attach the cabin walls to the boat, while having only the roof and rear bulkhead remain as a seperate part, which would drop down and into position. It was a fragile affair at first but once it was coated with a generous amount of super glue, all was well.
The roof being one piece also hides the seam of the two hull halves, which will most likely only be evident on the transom.
I came up with a plan to attach the cabin walls to the boat, while having only the roof and rear bulkhead remain as a seperate part, which would drop down and into position. It was a fragile affair at first but once it was coated with a generous amount of super glue, all was well.
The roof being one piece also hides the seam of the two hull halves, which will most likely only be evident on the transom.
Once the boat gets a little paint on her, there is a huge transformation that takes place, often making it appear as if I have missed photographing many steps in between. Above, you can see the two seperate sections of the hull laid out with a ruler to give size. Harpons are attached to the cabin side, the bow now has its pulpit, made of wire, and the windows of the cabin are made of clear plastic sheets so that once complete light can pass through.
The cabin top has really begun to take form and various details have been added to create a likeness between my model and the ship in the film. The running lights on the boards as well as a lifering are attached on each side. Two barrels remain, made of turned dowels on the cabin top, and if you look closely you can see the black handrail on the edge of the cabin top, made of wood.
(Left) On the rear bulkhead a chimney stack was made of a section of a toothpick with a wire inserted and bent over slightly. The ladder, made of wire sits just left of where the mast will stand and a tiny watch gear represents the steering wheel. (Below) The round portholes have been added to the boat by simply drilling through the cabin wall.
The mast is made from a bamboo dowel, turned on a drill while being sanded to create the taper. The boom is simply a length of basswood stained. Like a sailing vessel, she has spreaders and shrouds, but also includes more details, such as the large light at the top and two hoops, above the spreader, where a man would stand at lookout. Before calling the mast final, she will also have a full set of steps leading up to the spreaders.
The cockpit itself would not be complete without the fisherman's chair. Measuring only 10mm tall.
The amount of details makes all the difference when an artist is tyring to bring to life a scene like this one. A miniature fishing rod is made of a needle. Miniscule hoops (watch washers) act as the eyes, which the slender thread actually passes through. The reel is a gear from a watch.
If there are people, the must be directed to a task. The personna holding the bucket represents Quint (the shark hunter). He will be handing a bucket of chum. Brody (the police chief) holds the rifle and will be taking aim at the shark before its final moments. Hooper (oceanographer) bravely takes to what he calls the shark proof cage in an attempt to stab the animal.
Each of the little personnas are model train figures who have undergone some alterations, including the cutting off and reshaping the arms and painting.
If there are people, the must be directed to a task. The personna holding the bucket represents Quint (the shark hunter). He will be handing a bucket of chum. Brody (the police chief) holds the rifle and will be taking aim at the shark before its final moments. Hooper (oceanographer) bravely takes to what he calls the shark proof cage in an attempt to stab the animal.
Each of the little personnas are model train figures who have undergone some alterations, including the cutting off and reshaping the arms and painting.
It is also easy to work with. Small pieces, like each individual tooth can be added, knowing that they won't break of later after it's cooked. Once the sculpture was complete, I cooked it in my kitchen oven. In making a scene in a bottle, I took liberties on the actual size of the shark making him larger than he even was in the movie. Overall, it should make the whole scene just a bit more impressive!
(Above and Left) After cooking, I painted the shark with acrylic, making sure to add the touches of blood around his teeth, so that he'd appear extra scary.
The photo left also gives you a scale of size comparison to the people. The yellow scuba tank will be in the sharks mouth once it's positioned in the bottle.
The photo left also gives you a scale of size comparison to the people. The yellow scuba tank will be in the sharks mouth once it's positioned in the bottle.





















